Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, New York, interviews George Goldner, former Curator of Paintings and Drawings, J.
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Robinson McClellan, Associate Curator of Music Manuscripts and Printed Music, discusses the importance of Robert Owen Lehman’s extraordinary collection of music manuscripts that has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.
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Co-curators of A Lively Mind: Jane Austen at 250, Dale Stinchcomb and Juliette Wells, discuss the genius, wit, and legacy of one of the world's most beloved authors.
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This exhibition highlights more than 150 master drawings from the Thaw Collection, one of the world’s finest private collections containing over 400 sheets.
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The Gutenberg Bible is the first monument to the invention of the printing press in western culture. The Morgan is the only institution in the world to have three significant copies, all purchased by J. Pierpont Morgan.
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Curator Declan Kiely discusses a volume of Oscar wilde manuscripts the Morgan received as a gift in 2008.
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When he was just eleven years old Pedro Corrêa do Lago wrote to ask François Truffaut for his signature and received, by return mail, a book inscribed by the French director. Over the ensuing decades Corrêa do Lago built one of the world’s most compelling collections of its kind.
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Jennifer Tonkovich, Eugene and Clare Thaw Curator, discusses Running Eros, Holding a Torch.
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Take part in a virtual walk-through of the Morgan's exhibition devoted to the extraordinary figure Alfred Jarry (1873–1907). Sheelagh Bevan, Andrew W.
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Sing a New Song traces the impact of the Psalms on men and women in medieval Europe from the sixth to the sixteenth century. It encompasses daily practices and performance, as well as the creation of Psalters (Books of Psalms), among the most richly ornamented manuscripts ever made.
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