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The exhibition Invention and Design is intended to celebrate the publication of the first-ever catalogue of the Morgan’s collection of Italian Renaissance Drawings. In this opening night lecture, Rhoda Eitel-Porter, Editor of Print Quarterly and former Charles W.

This virtual tour will explore the museum's interactive website of cylinder seals from ancient Mesopotamia. These miniature masterpieces are among the smallest works ever produced by sculptors.

Sheelagh Bevan, our Andrew W. Mellon Associate Curator of Printed Books and Bindings, discusses Blaise Cendrars, born Frédéric Louis Sauser, a catalyst in some of the explosive artistic innovations of the early twentieth century.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.

Take a closer look at three touching, humanist drawings by Rembrandt (1606–1669) in the Morgan's collection. John Pierpont Morgan loved Rembrandt. He owned 500 prints by Rembrandt, and in 1909 acquired his first drawings by the artist.

In his fiction Henry James wrote about artists, collectors, and galleries. He was fascinated by painters and paintings and his friends and associates included John La Farge, John Singer Sargent, James McNeill Whistler, Frank Duveneck and William Wetmore Story.

Barbara Wolff and Roger Wieck