Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum.
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Curator Philip Palmer takes us through Beatrix Potter: Drawn to Nature and shares how the beloved children's book author rooted her fiction in the natural world. Beatrix Potter, creator of unforgettable animal characters like Peter Rabbit, Mr.
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Six months before he died in poverty and obscurity, architect and draftsman Jean‐Jacques Lequeu (1757–1826) donated one more than 800 drawings, one of the most singular and fascinating graphic oeuvres of his time, to the French Royal Library.
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The Morgan is the only institution in the world to possess three copies of the Gutenberg Bible, the first substantial book printed from movable type in the West.
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Building on the Morgan’s tradition of presenting to the American public distinguished works from outstanding institutions abroad, Van Eyck to Mondrian: 300 Years of Collecting in Dresden focuses on the exceptional drawing collection of the Kupferstich-Kabinett, Dresden.
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To mark the 2024 centennial of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene.
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Sheelagh Bevan, our Andrew W. Mellon Associate Curator of Printed Books and Bindings, discusses Blaise Cendrars, born Frédéric Louis Sauser, a catalyst in some of the explosive artistic innovations of the early twentieth century.
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Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.
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Very little is known about Rick Barton (1928–1992), who, between 1958 and 1962, created hundreds of drawings of striking originality.
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