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Who was Emily Dickinson? A new exhibition at the Morgan Library and Museum in New York takes a closer look at the iconic American cultural figure through her poems and the remnants of her life, and finds a less reclusive woman than we thought we knew.

The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.

Join Christine Nelson, Drue Heinz Curator of Literary and Historical Manuscripts, for a fresh look at Anne Brontë (1820–1849), bold author and truth-teller, through the artifacts she left behind.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

The Hours of Catherine of Cleves is the greatest Dutch illuminated manuscript in the world. Its 157 miniatures are by the gifted Master of Catherine of Cleves (active ca. 1435–60), who is named after this book.

It’s not just a façade! The façade of our J. Pierpont Morgan Library building uses a complex ancient Greek building technique that enables the stone to have no visible mortar. The architects, McKim, Mead & White, adapted this technique to account for the variable climate in New York city.

In 2011 the manuscript of A Christmas Carol received extensive treatment by conservators at the Morgan's Thaw Conservation Center.

Director Colin B. Bailey takes a close look at three drawings by Jean-Antoine Watteau (1684–1721), considered some of the finest drawings in the Morgan's collection: Seated Young Woman (ca. 1716), Young Woman Wearing a Chemise (ca.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.