Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Charles Noble, Curator of Collections, Devonshire Collection, Chatsworth, delivers his lecture The Early Dukes of Devonshire: Collectors of Drawings, 1680–1755 on Saturday, March 5, 2016.
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Andrew Morrogh, Associate Professor of Art History Emeritus, University of Oregon, Eugene, delivers his lecture Niccolò Gaddi and Giorgio Vasari on Saturday, March 5, 2016.
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Kristel Smentek, Associate Professor of Art History, Massachusetts Institute of Technology, Cambridge, delivers her lecture Pierre-Jean Mariette: The Collector as Historian on Friday, March 4, 2016.
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Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.
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John Marciari, Charles W. Engelhard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum delivers his lecture Janos Scholz and His Era on Saturday, March 5, 2016.
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Carel van Tuyll, former Director of the Département des Arts graphiques, Musée du Louvre, Paris, delivers his lecture Queen Christina of Sweden’s Collection of Drawings on Saturday, March 5, 2016.
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Hendrick Goltzius was one of the greatest Dutch printmakers and draftsmen of the sixteenth century. Our Annette and Oscar de la Renta Assistant Curator of Drawings and Prints Austeja Mackelaite describes his work in detail.
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Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.
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Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum.
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A conversation with Maria Popova and poet Marie Howe, lensed through the original manuscripts of William Blake's Auguries of Innocence and Walt Whitman's "O Captain, My Captain!"
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