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In conjunction with Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800–1500, Sharon Liberman Mintz, Curator of Jewish Art at The Library of The Jewish Theological Seminary, and Adam S.

Rush Hour Concert, Tuesday, February 27, 2018

Celebrated artists perform chamber music from Baroque to contemporary in the intimate and sumptuous surroundings of J. Pierpont Morgan's Library.

On March 15, 1874, a group of artists later called the Impressionists opened an independent exhibition in a gallery in the center of Paris. In the 150 years that followed, their works have become some of the most widely recognized and popular in the world.

Erica Cialella, Belle da Costa Green Curatorial Fellow, and Philip Palmer, Robert H.

Philip Palmer, the Robert H. Taylor Curator and Department Head of Literary and Historical Manuscripts, takes an in-depth look at the draft manuscript and original artwork for Antoine de Saint-Exupéry's The Little Prince.

The Morgan will be seen in a new light! An important part of our project to restore the 1906 McKim, Mead, & White-designed library and improve the site surrounding it is a lighting design by New York City-based lighting designer Linnaea Tillett.

Join Christine Nelson, Drue Heinz Curator of Literary and Historical Manuscripts, for a look at Antoine de Saint-Euxpéry's working drafts for The Little Prince, a classic story that suggests how we can combat isolation by trusting in the imagination, acknowledging pain, and building mean

Sir Nicholas Penny, former director of the National Gallery, London, and the Thaw Senior Fellow at the Morgan Drawing Institute for 2018, gave the annual Thaw Lecture on “The Zoomorphic Mask.” He explores the fantastic in Renaissance design, with reference to many other episodes in the history of

Sheelagh Bevan, our Andrew W. Mellon Associate Curator of Printed Books and Bindings, discusses Blaise Cendrars, born Frédéric Louis Sauser, a catalyst in some of the explosive artistic innovations of the early twentieth century.