Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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The restoration project of our McKim, Mead & White building is moving along with the guidance and careful eye of the architectural conservators from Integrated Conservation Resources, Inc. (ICR).
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Take a closer look at three “action portraits” from the Morgan’s 20th-century photography collection with Joel Smith, the Richard L. Menschel Curator of Photography. Listen as Joel shares his insights on these dynamic images!
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“In a hole in the ground there lived a hobbit.” With these words the Oxford professor J.R.R. Tolkien ignited a fervid spark in generations of readers.
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The exhibition Invention and Design is intended to celebrate the publication of the first-ever catalogue of the Morgan’s collection of Italian Renaissance Drawings. In this opening night lecture, Rhoda Eitel-Porter, Editor of Print Quarterly and former Charles W.
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The Archivio Storico Ricordi is considered one of the world’s most important private musical archives; it preserves the original handwritten scores and letters by composers such as Giuseppe Verdi and Giacomo Puccini as well as a rich iconographic collection that includes set and costume designs,
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In January 2021, the Morgan acquired an exceptional group of twenty prints by Martin Puryear.
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Complementing the opening of the exhibition Belle da Costa Greene: A Librarian’s Legacy, this one-day scholarly symposium will bring together experts working on Belle Greene and/or the fields relevant to our understanding of her life and career, including African American history and lit
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Why do the doors of our library building looks so good?
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Take a closer look at this 900 year old English manuscript with Dei Jackson, Assistant Curator of Medieval and Renaissance Manuscripts as she tells the story of St. Edmund.
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In the 2024 Thaw Lecture, Stephanie Buck, Director of the Kupferstich-Kabinett at the Dresden State Art Collections, and the Drawing Institute’s 2024 Thaw Senior Fellow, explored the interstices of some of the Morgan’s finest early German drawings, among them Dürer’s enigmatic Abduction on Ho
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