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Very little is known about Rick Barton (1928–1992), who, between 1958 and 1962, created hundreds of drawings of striking originality.

For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan. First up, artist Walton Ford describes some of his favorites drawings in our collection and what about these works inspire him.

Join us for a rare and extraordinary musical experience: a selection of Mozart’s beloved chamber works performed on the Costa violin, on loan from the Mozarteum in Salzburg.

Did you know that Vincent van Gogh was an inveterate letter writer? In 2007 the Morgan acquired a set of letters by the post-Impressionist artist Van Gogh written to friends. Hear our Director Colin B.

Jack Whitten was one of the most innovative artists to emerge in the second half of the twentieth century.

We are getting a new roof over our heads! For the first time in the McKim, Mead, & White building’s 112-year history we are undergoing a complete roof replacement with a team of experts.

One of the most dramatic interventions performed by Mariette on drawings in his collection was the splitting of a single sheet of paper to separate the recto and the verso of double-sided drawings.

Gail Levin

Director's Talk with Colin B. Bailey

In the inaugural Thaw Lecture (held on 5 May 2015), Alastair Laing, 2014–15 Thaw Senior Fellow at the Drawing Institute and longtime curator of paintings for the National Trust in the United Kingdom, investigates the audience for, and function of, the 10,000 drawings Rococo master François Bouche