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Diana Dethloff, Academic Administrator and Lecturer in Seventeenth-Century British Art, Department of History of Art, University College, London, delivers her lecture Peter Lely: Collecting in Seventeenth–Century England on Friday, March 4, 2016.

Director's Talk with Colin B. Bailey

Meredith Martin

Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile, and inventive artists of the European Renaissance.

American artist Walton Ford and Jennifer Tonkovich, our Eugene and Clare Thaw Curator of Drawings and Prints, discuss the artist’s current exhibition Walton Ford: Birds and Beasts of the Studio. Ford established his reputation in the 1990s with his monumental watercolor paintings of wild

Hans Holbein the Younger’s portrait of Sir Thomas More, painted in 1527, is one of the pinnacles of the artist’s career. Xavier F.

Co-curators Dale Stinchcomb and Juliette Wells show some of their favorite letters by Jane Austen in the exhibition A Lively Mind: Jane Austen at 250.

We look forward to welcoming you to our new garden this summer. As part of the second phase of a $12.6 million restoration project, this new outdoor space will add a new layer to our campus. It will enable visitors to experience the jewel of our campus—J.

The most famous achievement of Annibale Carracci (1560–1609) is his celebrated series of frescoes in the Palazzo Farnese in Rome (1596–1604).

A little music for your cozy holiday weekend: listen to violinist Kelly Hall-Tompkins play a piece by Fritz Kreisler from 1911. Fritz Kreisler dedicated this piece to the virtuoso Belgian violinist and composer Eugène Ysaÿe. It reflects qualities of both composers.