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The original ideas for many of Beatrix Potter's stories can be found in the manuscript picture letters she wrote to children of friends and family members.

It is generally acknowledged that Boucher’s Triumph of Venus, painted in the summer of 1740 for Count Carl Gustaf Tessin, is the artist’s greatest mythological painting.

Hans Holbein the Younger’s portrait of Sir Thomas More, painted in 1527, is one of the pinnacles of the artist’s career. Xavier F.

American artist Walton Ford and Jennifer Tonkovich, our Eugene and Clare Thaw Curator of Drawings and Prints, discuss the artist’s current exhibition Walton Ford: Birds and Beasts of the Studio. Ford established his reputation in the 1990s with his monumental watercolor paintings of wild

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The exhibition Conversations in Drawing: Seven Centuries of Art from the Gray Collection brings together works from across Europe and the United states, illuminating affinities and tensions in the history of drawing.

The Morgan will be seen in a new light! An important part of our project to restore the 1906 McKim, Mead, & White-designed library and improve the site surrounding it is a lighting design by New York City-based lighting designer Linnaea Tillett.

Sal Robinson, Assistant Curator of Literary and Historical Manuscripts, takes us into Jane Austen's world with the manuscript of Lady Susan, the only surviving complete draft of any of her novels.

Perspectives from a Conservator and a Curator

Set on one day, 16 June 1904, James Joyce’s Ulysses follows the young poet Stephen Dedalus and the unlikely hero Leopold Bloom as they journey through Dublin.