Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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The Morgan Library & Museum is one of the largest and richest depositories of Rembrandt’s drawings in North America, encompassing works from every stage of his long career.
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Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.
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The Pass of St. Gotthard, near Faido
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Robinson McClellan, Associate Curator of Music Manuscripts and Printed Music, discusses the importance of Robert Owen Lehman’s extraordinary collection of music manuscripts that has been an inspiration to scholars and visitors since it was placed on deposit at the Morgan Library & Museum.
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Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.
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This exhibition celebrates the life and work of American poet Gwendolyn Brooks (1917–2000). Though Brooks is generally well-known for her poetry, few recognize her expansive social and political impact.
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In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.
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For our Centennial, we asked some of our friends and collaborators to speak about what they love about the Morgan. First up, artist Walton Ford describes some of his favorites drawings in our collection and what about these works inspire him.
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This exhibition celebrates the remarkable collection of drawings assembled by the collecting couple Richard Gray, one of America’s foremost art dealers, and art historian Mary L. Gray.
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Join us for a rare and extraordinary musical experience: a selection of Mozart’s beloved chamber works performed on the Costa violin, on loan from the Mozarteum in Salzburg.
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