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Opening February 2 and continuing through May 13, Tennessee Williams: No Refuge but Writing highlights the playwright’s creative process and his close involvement with the theatrical production of his works, as well as their reception and la

The Morgan has been collecting Modern and Contemporary Drawings for almost 20 years.

It’s not just a façade! The façade of our J. Pierpont Morgan Library building uses a complex ancient Greek building technique that enables the stone to have no visible mortar. The architects, McKim, Mead & White, adapted this technique to account for the variable climate in New York city.

Sir Nicholas Penny, former director of the National Gallery, London, and the Thaw Senior Fellow at the Morgan Drawing Institute for 2018, gave the annual Thaw Lecture on “The Zoomorphic Mask.” He explores the fantastic in Renaissance design, with reference to many other episodes in the history of

Join Jeffrey F.

A little music for your cozy holiday weekend: listen to violinist Kelly Hall-Tompkins play a piece by Fritz Kreisler from 1911. Fritz Kreisler dedicated this piece to the virtuoso Belgian violinist and composer Eugène Ysaÿe. It reflects qualities of both composers.

The exhibition Conversations in Drawing: Seven Centuries of Art from the Gray Collection brings together works from across Europe and the United states, illuminating affinities and tensions in the history of drawing.

Thomas Gainsborough’s paintings and drawings grant the viewer the perspective of a traveler wandering along a winding path encountering both the familiar and the enigmatic.

We are pleased to reveal the plans of the new design of the landscape surrounding the J. Pierpont Morgan Library.