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On the two-hundredth anniversary of the death of the English poet John Keats , a newly-acquired set of collectible tea cards sets the Pforzheimer Collection’s Charles Cuykendall Carter on a tour of special places for Keats in New York.

The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f

John Singer Sargent (1856–1925) was one of the greatest portrait artists of his time. While he is best known for his powerful paintings, he largely ceased painting portraits in 1907 and turned instead to charcoal drawings to satisfy portrait commissions.

Celebrating the opening of Drawing in Tintoretto’s Venice, John Marciari, Charles W.

John Marciari, Charles W. Engelhard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum delivers his lecture Janos Scholz and His Era on Saturday, March 5, 2016.

Ann Percy, The Mainwaring Curator of Drawings, Philadelphia Museum of Art, delivers her lecture An Acquiring Mind: John S. Phillips, a Nineteenth-Century Philadelphia Print Collector’s Taste for Drawings on Saturday, March 5, 2016.

Welcome and opening remarks from Colin B. Bailey, Director, The Morgan Library & Museum, and John Marciari, Charles W. Englehard Curator and Head of the Department of Drawings and Prints, The Morgan Library & Museum.

A virtual symposium reflecting on the exhibitions and research of the 2019 Rembrandt anniversary year. Co-sponsored by The Leiden Collection and the Drawing Institute of the Morgan Library & Museum.

William Hogarth (1697–1764) achieved substantial artistic and commercial success in his lifetime, both as a printmaker and as a painter. Despite his enduring fame, Hogarth’s drawings are today little known and rarely studied.