Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Hugo Chapman, The Simon Sainsbury Keeper of Prints and Drawings, British Museum, London, presents his keynote address Parallels, Patterns and Reversals: The British Museum as a Template for Collecting Old Master Drawings on Friday, March 4, 2016.
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In the 2024 Thaw Lecture, Stephanie Buck, Director of the Kupferstich-Kabinett at the Dresden State Art Collections, and the Drawing Institute’s 2024 Thaw Senior Fellow, explored the interstices of some of the Morgan’s finest early German drawings, among them Dürer’s enigmatic Abduction on Ho
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Examining drawings from across Piranesi's career, John Marciari, Charles W. Engelhard Curator, will explore the distinctive aspects of Piranesi's graphic style and the use and reuse of drawings in his busy workshop.
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Colin B. Bailey, our Katharine J. Rayner Director and curator of Renoir Drawings, offers an insightful overview of our current exhibition.
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In conjunction with the exhibition Entrance to the Mind: Drawings by George Condo in the Morgan Library & Museum, artist George Condo discusses the role of drawing in his practice and his interest in the art of the past with Isabelle Dervaux, Acquavella Cura
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The symposium is devoted to the drawings of the artist Giovanni Battista Piranesi (1720–1778) and takes place in conjunction with the exhibition Sublime Ideas: Drawings by Giovanni Battista Piranesi on view at the Morgan f
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Take part in a virtual walk-through of the Morgan's exhibition devoted to the sensuous and humorous drawings of Al Taylor (1948–1999).
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Lisa Yuskavage: Drawings is the first comprehensive museum presentation of the artist’s drawings.
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Jennifer Wright delivers a lecture written by Jennifer Tonkovich, Eugene and Clare Thaw Curator of Drawings and Prints, The Morgan Library & Museum on Saturday, March 5, 2016.
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Isabelle Dervaux discusses one of the most celebrated contemporary German artists, Georg Baselitz. He gained international recognition in the 1960s for revitalizing figurative painting.
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