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The Morgan celebrates the 1913 publication of Swann's Way with a fascinating selection of the author's notebooks, preliminary drafts, galley-proofs, and other documents from the collection of the Bibliothèque Nationale de France.

Trees is the third exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw.

Through nearly fifty manuscripts, first editions, letters, and related materials drawn almost entirely from the Morgan's collections, the exhibition Liszt in Paris: Enduring Encounters celebrates the art and the diverse and fertile artistic world of the virtuoso pianist-composer.

To mark the 2024 centenary of its life as a public institution, the Morgan Library & Museum will present a major exhibition devoted to the life and career of its inaugural director, Belle da Costa Greene (1879–1950).

In the Morgan's first exhibition devoted to Blake in two decades, former director Charles Ryskamp and curators Anna Lou Ashby and Cara Denison have assembled many of Blake's most spectacular watercolors, prints, and illuminated books of poetry to dramatically underscore his genius and enduring influence.

The exhibition includes eight extraordinary drawings by Dürer that demonstrate the variety and dynamism of his draftsmanship.

This previously unknown waltz, written in Chopin’s hand and very likely composed by him, is the first newly identified work by the Polish composer since the 1930s.

This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and its related drawings, all from the Menil Collection in Houston.

This New Yorker bouquet is drawn from the extraordinary collection of over 1300 drawings for the magazine assembled by Melvin R. Seiden.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career.