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The oil sketches displayed here engage with a range of Sublime effects, from the impressive vastness of a mountain range and the thrill of rushing water to the terror of a raging storm.

A Collective Invention: Photographs at Play signals the debut of photography as a curatorial focus at the Morgan.

This special exhibition features original drawings and manuscript pages from the classic children's book Where the Wild Things Are by Maurice Sendak (b. 1928). The show is part of a citywide celebration honoring Mr. Sendak and marking the October 13 premiere of a new Warner Bros. movie adaptation directed by Spike Jonze.

Rome exists not only as an intensely physical place, but also as a romantic idea onto which artists, poets, and writers project their own imaginations and longings. City of the Soul examines the evolving image of Rome in art and literature with a display of books, manuscripts, prints, photographs, and drawings.

Through nearly fifty manuscripts, first editions, letters, and related materials drawn almost entirely from the Morgan's collections, the exhibition Liszt in Paris: Enduring Encounters celebrates the art and the diverse and fertile artistic world of the virtuoso pianist-composer.

An extraordinary collection of forty-three early-twentieth-century German and Austrian drawings by some of the leaders of the German expressionist movement and the Vienna Secession was on view in From Berlin to Broadway.

One of the earliest original manuscripts of Magna Carta dating to 1217 is on view at the Morgan through May 30.

This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and its related drawings, all from the Menil Collection in Houston.

On view are approximately forty items related to Puccini's career, including rarely seen original sketches for his acclaimed operas Madama Butterfly and La Bohème.

The temporary installation of three sculptures by Mark di Suvero in the Gilbert Court was prompted by the friendship and mutual admiration between di Suvero and Renzo Piano, the architect who designed the court.