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Blaise Cendrars, born Frédéric Louis Sauser, was a catalyst in some of the explosive artistic innovations of the early twentieth century.

The Morgan presents this exhibition on the occasion of an important loan from the Walters Art Museum in Baltimore: Rosso Fiorentino's Holy Family with the Young Saint John the Baptist.

Views of Rome and Naples is the fifth exhibition in a series drawn from the collection of oil sketches acquired by Morgan Trustee Eugene V. Thaw and his wife, Clare. Mr. Thaw is also an honorary trustee of the Metropolitan Museum of Art.

Drawing upon the Morgan's collection of Poyer manuscripts, the exhibition also included choice loans of drawings and manuscripts from this country and abroad.

The exhibition examined the critical ten-year period that coincides with Dylan's transformation from folk troubadour to rock innovator during a momentous, turbulent period of American history.

Examining the role of Pierre Matisse in promoting the work of twentieth-century artists in North America, The Morgan Library & Museum presented Pierre Matisse and His Artists. Pierre Matisse, the younger son of the French artist Henri Matisse and his wife Amélie, earned his own place in the art world as one of the most important dealers of modern and contemporary art.

Treasures from the Vault, an ongoing exhibition series, features works drawn from these diverse collections in the sumptuous setting of Pierpont Morgan's 1906 Library.

Comprising seventy works from private and public collections, including the Morgan Library & Museum, this exhibition will consider the artist's wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch.

Imperial Splendor offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.

Belle da Costa Greene (1879–1950) began working as J. Pierpont Morgan’s librarian in 1905.