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With over seventy drawings, prints, and paintings, including an exceptional contingent from the Louvre, Claude Gillot: Satire in the Age of Reason explores the artist’s inventive and highly original draftsmanship and places his work in the context of the artistic and intellectual activity in Paris at the dawn of a new century.

The Morgan Library & Museum presents from its rich permanent collection a select group of related works by artists at the court of Duke Cosimo I dei Medici (1519–1574).

This exhibition features over 90 drawings by many of the preeminent artists of Holland's Golden Age.

Reuniting the score and designs from Philip Glass and Robert Wilson's Einstein on the Beach, this exhibition focuses on the opera's premiere performances in 1976.

Comprising seventy works from private and public collections, including the Morgan Library & Museum, this exhibition will consider the artist's wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch.

Seen Together showcases over forty previously unexhibited works acquired by the Morgan’s Department of Photography since its founding in 2012.

This exhibition presents Mesopotamian sculptural works from ca. 3300-2250 B.C., bringing together for the first time pieces from the Metropolitan Museum of Art, the Yale University Babylonian Collection, the Kimbell Art Museum, and the University of Pennsylvania Museum of Archaeology and Anthropology.

Delirium: The Art of the Symbolist Book explores creative encounters between Symbolist authors and the artists in their circles.

Masterworks from the Morgan presented more than three hundred masterworks drawn from all six of the Morgan's collection areas, including new acquisitions and works that have never been seen or have not been exhibited for many years.

The nineteenth century in Europe saw the rise of plein air painting, in which artists used oil paint while working outdoors.