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This exhibition celebrates the Morgan’s 2018 acquisition of eleven drawings from the Souls Grown Deep Foundation, an organization dedicated to supporting Black Southern artists and their communities.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.

This exhibition features over 90 drawings by many of the preeminent artists of Holland's Golden Age.

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.

This exhibition celebrates the gift of forty-eight pastel drawings to the Morgan’s collection from the artist and his dealer Arne Glimcher.

The exhibition Far and Away: Drawings from the Clement C. Moore Collection, on view upstairs, celebrates the promised gift of works to the Morgan from one of the preeminent private collections of Dutch drawings in America.

The French refer to the seventeenth century as the Grand Siècle, or the Great Century. Under the rule of Louis XIII and Louis XIV, the period saw a dramatic increase in French political and military power, the maturation of French courtly life at Versailles, and an unparalleled flourishing of the arts.

American artist Walton Ford (b. 1960) established his reputation in the 1990s with his monumental watercolor paintings of wild animals inspired by true or legendary stories of dramatic encounters between humankind and nature.

The exhibition explores the challenging creation of Wagner’s epic, and the staging of its 1876 premiere in Bayreuth and its 1889 American debut at the Metropolitan Opera House in New York.

John Milton's Paradise Lost celebrates the 400th anniversary of the birth of John Milton (1608–1674) with an exhibition drawn from the Morgan's collection of the English poet's work, which includes the only surviving manuscript of Paradise Lost.