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This exhibition features the greatest works on paper by the artists in the Morgan's collection, as well as a few key loans from local collections.

This is the first ever major museum exhibition devoted to the work of Ernest Hemingway (1899–1961), one of the most celebrated American authors of the 20th century.

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400-2000 B.C. brings together for the first time a comprehensive selection of artworks that capture rich and shifting expressions of women’s lives in ancient Mesopotamia during the 3rd millennium B.C.

Completed around 1470 in Bruges, Hans Memling's Triptych of Jan Crabbe was dismembered in the 18th century and has never before been reconstructed for an American audience.

This exhibition brings to life the extraordinary work undertaken by a small team of American women volunteers who left comfortable lives in the United States to devote themselves to relief work in France during and after World War I.

By the mid-eighteenth century, the Grand Tour, a study trip through Europe with a period of residence in Italy, had become a fixture in the education of European aristocrats and the training of artists.

In a letter written near the end of his life, Giovanni Battista Piranesi (1720–1778) explained to his sister that he had lived away from his native Venice because he could find no patrons there willing to support “the sublimity of my ideas.”

American artist Spencer Finch (b. 1962) will unveil a new, site-specific, large-scale installation at the Morgan inspired by its great collection of medieval Books of Hours.

Combining diverse artworks from across the Morgan’s collections and some exceptional loans, Come Together: 3,000 Years of Stories and Storytelling explores how stories shape our world.

The 2022 Morgan Book Project exhibition of illuminated manuscripts made by New York City students in grades 3–12 features the annual selection of 12 judges’ picks and the singular Director’s Choice.