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This exhibition will bring to light the curious history of Wonderland, presenting an engaging account of the genesis, publication, and enduring appeal of Lewis Carroll's classic tale, Alice's Adventures in Wonderland.

Nearly fifteen years ago, while the construction of its Renzo Piano-designed expansion was under way, the Morgan embarked on a new program of acquisitions of modern and contemporary drawings.

An inscribed tablet from the Middle Assyrian period of Mesopotamia records and commemorates the restoration of the temple of the goddess Ishtar in the capital city of Assur.

Objects on view in J. Pierpont Morgan’s library reflect the past, present, and future of the collections in four curatorial departments, comprising illuminated manuscripts from the medieval and renaissance eras, five hundred years of printed books, literary manuscripts and correspondence, as well as printed music and autograph manuscripts by composers.

As part of the Bicentenary celebrations of the Royal Philharmonic Society, the Morgan will display two historic copyist scores of Beethoven's Ninth Symphony, marking the first time they have been brought together since their creation in 1824.

In 1902 American financier Pierpont Morgan (1837–1913) chose architect Charles Follen McKim (1847–1909) of the prominent firm McKim, Mead and White to design a library to house his growing collection of rare books and manuscripts.

Charles Dickens at 200 celebrates the bicentennial of the great writer's birth in 1812 with manuscripts of his novels and stories, letters, books, photographs, original illustrations, and caricatures.

This exhibition celebrates the extraordinary loan from the Galleria Borghese in Rome of the painting Boy with a Basket of Fruit, an important early work by Michelangelo Merisi, known as Caravaggio (1571–1610).

To mark the seventy-fifth anniversary of the publication of Antoine de Saint-Exupéry’s classic story The Little Prince, the Morgan presents five newly discovered drawings by the author as well as intimate memorabilia from his time in New York during the 1940s.