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• Elma and Lady Mabel's Visit to the Daughters of the Swiss Pastor

  John Edward Goodall

  1853-1929

  ca. 1889

  1986.1922

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Study of Two Female Saints Holding Palms and a Winged Angel Beneath. Verso: Studies of Two Female Figures, Putti, Infant Christ and St. John, Leda and the Swan, A Male Figure Wearing a Grotesque Headpiece Ridden by a Putto and a Helmeted Head in Left Profile

  Cesare da Sesto

  1477-1523

  ca. 1508-1512

  II, 33 (recto) - II, 34 (verso

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Portrait of Pietro Altemps

  Ottavio Leoni

  approximately 1578-1630

  1617

  I, 25a

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Series of 20 drawings, illustrating the "Inferno" and "Purgatorio" of Dante's "Divina Commedia"

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:1-20

  Classification

  Album

  Department

  Drawings and Prints

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• Inferno, Canto I (Antinferno). Three Pairs of Minute Figures on a Road Passing Through a Rocky Landscape, With Steam Coming Out of a Hole in the Ground at Left, Rough Sea in the Background and Stars above at Right

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:1

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto I (Antinferno). Empty Path through Volcanic Landscape with Five Smoking Holes; Sea and Mountains in Background and Starry Sky Above

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:2

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto I (Antinferno). Virgil and Dante on the Path through Rocky Landscape, Close to a Crevasse and Smoking Hole

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:3

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto III. Charon Portrayed Shipping the Damned through the Acheron, Seen as a Circular Lake with the Entrance to the First Circle in the Middle. Dante and Virgil Looking at the Damned Who Are Being Attacked by Hornets and Wasps; Pointing to the Entrance; Approaching the Ferry; Speaking to Charon; Boarding the Ferry; and on the Ferry. At top a town?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:4

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto XI - XII. Virgil and Dante, at Upper Left, Before the Tomb of Pope Anastasius; Their Meeting with the Minotaur; Their Descent to the Phlegethon (River of Boiling Blood); Their Meeting with the Centaurs, Who Guard the Damned and Punish Them with Arrows; Chiron Gives Them as a Guide the Centaur Nessus; Dante and Virgil Are Carried by Nessus and Together They Cross the Phlegethon Where the Tyrants are Immmersed in Blood According To The Degree of Their Guilt; Virgil, Dante and Nessus Reach the Middle. At top, a town. Verso: Bell or Hat?

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:5

  Classification

  Drawing

  Department

  Drawings and Prints

  

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• Inferno, Canto XIII. Virgil and Dante in the Forest of Those of Who Have Committed Suicide. They Meet Piero delle Vigne, Lano da Siena, and Giacomo da Sant' Andrea Chased by Dogs. Six Harpies in the Forest. At top, a town

  Attributed to Alessandro Vellutello

  early 16th century

  1966.12:6

  Classification

  Drawing

  Department

  Drawings and Prints

  

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