Communications and Marketing Department

The Indomitable Felice Stampfle, the Morgan's First Curator of Drawings and Prints

Pierpont Morgan’s librarian, Belle da Costa Greene (1883–1950), shepherded the banker’s collections beginning in 1905 and continued doing so for many years after his death in 1913, working alongside his son and eventually serving as the museum’s first director from 1928 until her retirement in 1949. After the Morgan opened its doors as a public institution, the drawings collection—established by Morgan in 1909—continued to grow through gifts from the Morgan family and from a small number of patrons, as well as through select purchases.

Visiting the Morgan in 1928

After the death of his mother in 1924, J. P. Morgan, Jr., resolved to tear down his parent’s brownstone on the corner of Madison and Thirty-Sixth Street and erect a building adjacent to his father’s library. This new structure, known as the Annex, would allow the institution he founded in his father’s name to serve the public.

WFH Diary: Hot White Jesus

As a Canadian artist living in the US, I am both an outsider and a passive participant in our current political climate. I feel an urgency to address issues of class, power, and privilege through my work, while also treading carefully to avoid co-opting the experience of others. Instead, I approach my ideas through a tender provocation, asking myself how I can express a critical perspective that is nevertheless a positive and hopeful contribution.