"Here's Martha mother!" cried the two young Cratchits. "Hurrah!" There's such a goose, Martha!"
"Why bless your heart alive my dear, how late you are!" said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her, with officious zeal.
"We'd a deal of work to finish up last night," replied the girl, "and had to clear away this morning, mother!"
"Well! Never mind so long as you are come," said Mrs. Cratchit. "Sit ye down before the fire, my dear, and have a warm, Lord bless ye!"
"No no!" There's father coming!" cried the two young Cratchits who were everywhere at once. "Hide, Martha, hide!"
So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter exclusive of the fringe, hanging down before him; and his threadbare clothes darned up and brushed, to look seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a little crutch; and had his limbs supported by an iron frame!
"Why, where's our Martha!" cried Bob Cratchit looking round.
"Not coming," said Mrs. Cratchit.
"Not coming!" said Bob, with a sudden declension in his high spirits—for he had been Tim's blood horse all the way from church, and had come home rampant. "Not coming upon Christmas Day!"
Martha didn't like to see him disappointed if it were only in joke; so she came out prematurely from behind the closet door, and ran into his arms, while the two young Cratchits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper.
"And how did little Tim behave?" asked Mrs. Cratchit, when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart's content.
"As good as gold," said Bob, "and better. Somehow he gets thoughtful sitting by himself so much, and thinks the strangest things you ever heard. He told me coming home that he hoped the people saw him in the church because he was a cripple, and it might be pleasant to them to remember upon Christmas Day who made lame beggars walk and blind men see."
Bob's voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty.
His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool beside the fire; and while Bob turning up his cuffs—as if, poor fellow, they were capable of being made more shabby!—compounded some hot mixture in a jug with gin and lemons, and stirred it round and round and put it on the hob to simmer, Master Peter and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in High Procession.
Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Purchased by Pierpont Morgan before 1900; MA 97
Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.