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Charles Dickens's Christmas Carol | Page 21 (24 of 70)
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21

leap up, as they went past! Why was he filled with gladness when he heard them give each other Merry Christmas as they parted at cross roads and bye-ways for their several homes! What was merry Christmas to Scrooge? Out upon merry Christmas. What good had it ever done to him?

"The School is not quite deserted," said the Ghost. "A solitary child, neglected by his friends, is left there still."

Scrooge said he knew it. And he sobbed.

They left the high road by a well-remembered lane, and soon approached a mansion of dull red brick, with a little weather-cock-surmounted cupola on the roof, and a bell hanging in it. It was a large house, but one of broken fortunes; for the spacious offices were little used, their walls were damp and mossy, their windows broken, and their gates decayed. Fowls clucked and strutted in the stables; and the coach-houses and sheds were over-run with grass. Nor was it more retentive of its ancient state, within; for entering the dreary hall, and glancing through the open doors of many rooms, they found them poorly furnished, cold, and vast. There was an earthy savour in the air, a chilly bareness in the place, which associated itself somehow with too much getting up by candlelight, and not too much to eat.

They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. It opened before them, and disclosed a long bare, melancholy room, made barer still by lines of plain deal forms and desks. At one of these, a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form and wept to see his poor forgotten self as he had used to be.

Not a latent echo in the house, not a squeak and scuffle from the mice behind the pannelling, not a drip from the half-thawed water-spout in the dull yard behind, not a sigh among the leafless boughs of one despondent poplar, not the idle swinging of an empty store-house door, no not a clicking in the fire, but fell upon the heart of Scrooge with softening influence, and gave a freer passage to the tears that dropped down through his fingers as he spread his hands before his face.

The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. Suddenly a man in foreign garments—wonderfully real and distinct to look at—stood outside the window, with an axe stuck in his belt, and leading an ass, laden with wood, by the bridle.

"Why, it's Ali Baba!" Scrooge exclaimed in ecstasy. "It's dear old honest Ali Baba! Yes yes—I know! One Christmas time when I—when he—when yonder solitary child was left here all alone, he did come, for the first

Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Page 21
Purchased by Pierpont Morgan before 1900; MA 97

Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.


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