"Well! I am very glad to hear it," said Scrooge's nephew, "because I haven't any great faith in these young housekeepers. What do you say, Topper?"
Topper had clearly got his eye upon one of Scrooge's niece's sisters, for he answered that a bachelor was a wretched outcast, who had no right to express an opinion on the subject. Whereat, Scrooge's niece's sister—the plump one with the lace tucker; not the one with the roses—blushed.
"Do go on, Fred," said Scrooge's niece, clapping her hands. "He never finishes what he begins to say! He is such a ridiculous fellow!"
Scrooge's nephew revelled in another laugh; and as it was impossible to keep the infection off—though the plump sister tried hard to do it with aromatic vinegar—his example was unanimously followed.
"I was only going to say," said Scrooge's nephew, "that the consequence of his taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he can find in his own thoughts, either in his mouldy old office or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can't help thinking better of it—I defy him—if he finds me going there, in good temper, year after year, and saying Uncle Scrooge, how are you. If it only puts him in the vein to leave his poor clerk fifty pounds, that's something. And I think I shook him, yesterday."
It was their turn to laugh now, at the notion of his shaking Scrooge. But being thoroughly good-natured, and not much caring what they laughed at, so that they laughed at any rate, he encouraged them in their merriment, and passed the bottle, joyously.
After tea, they had some music. For they were a musical family, and knew what they were about, when they sang a glee or catch, I can assure you—especially Topper who could growl away in the bass like a good one, and never swell the large vein in his forehead or get red in the face over it. Scrooge's niece played well upon the Harp; and played among other tunes a simple little air (a mere nothing; you might learn to whistle it in two minutes) which had been familiar to the child who fetched Scrooge from the boarding-school, as he had been reminded by the Ghost of Christmas Past. When this strain of music sounded, all the things that Ghost had shewn him, came upon his mind; he softened, more and more; and thought that if he could have listened to it often, years ago, he might have cultivated the kindnesses of life, on his own happiness with his own hands, without resorting to the sexton's spade that buried Jacob Marley.
But they didn't devote the whole evening to music. After a while they played at forfeits; for it is good to be children sometimes, and never
Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Purchased by Pierpont Morgan before 1900; MA 97
Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.