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The Little Prince Turns 75: Reflections by Adrian Arturo Peña

The Little Prince, a story of an intergalactic traveler in search of meaningful connection, was published in New York seventy-five years ago today—on April 6, 1943. This guest post is by Adrian Arturo Peña, a student in CUNY’s Language Immersion Program (CLIP), whose class recently visited the Morgan with instructor Gretchen Irwin-Harada to view and discuss Antoine de Saint-Exupéry’s draft manuscript and watercolor drawings for The Little Prince.

Youth Poet Laureate Amanda Gorman takes her place in the Morgan Library

On March 12, 2018, Amanda Gorman, the twenty-year-old Youth Poet Laureate of the United States, visited the Morgan to place a manuscript of her poem “In This Place (An American Lyric)” in a vitrine in the Morgan’s majestic East Room alongside the work of Elizabeth Bishop, Carson McCullers, Johann Wolfgang von Goethe, and Peter Paul Rubens.

Preserving and Revealing the Museum’s Treasures

The Thaw Conservation Center at the Morgan is a world-class laboratory for the conservation of works on paper and parchment—drawings, prints, photographs, illuminated manuscripts, rare books, fine bindings, and literary, historical, and music manuscripts—as well as a place for conservation studies. A critical piece of the Morgan, the Thaw Conservation Center also relies on donations from the public to remain on the cutting edge of scientific research and discovery. 

A Frances Burney Mystery

Working my way through the Morgan’s enormous collection of letters, one by one—as I’ve been doing for the past ten months on a cataloging grant from the Leon Levy Foundation—has meant regularly encountering extraordinary items whose significance often hasn’t been fully understood.

Conservation treatment of Haydn's The Seven Last Words of Our Savior on The Cross (Cary 508)

In 1786, the Clergy of the Cadiz cathedral in Spain commissioned Joseph Haydn (1732–1809) to compose The Seven Last Words of our Saviour on the Cross. In 1791, a copyist’s manuscript of the full orchestral score, with annotations by Haydn himself was prepared for a series of concerts to be held in London. The score was bound into two separate volumes, each with a brown calfskin leather spine and marbled paper sides.

Henry James's "splendid American summer"

Celebrating the July 4th holiday in New Hampshire, I was reminded of Henry James’s sojourn in the White Mountains in the summer of 1865. In his Notes of a Son and Brother, published almost fifty years after that memorable visit, he would recall it as a “splendid American summer,” spent in the company of his witty and gregarious cousin Minny Temple and her sisters, and his close friend Oliver Wendell Holmes.