MS M.917/945, ff. 106v–107r


Souls Released from Purgatory

The Netherlands, Utrecht
ca. 1440
7 1/2 x 5 1/8 inches (192 x 130 mm)

Purchased on the Belle da Costa Greene Fund with the assistance of the Fellows and with special assistance of Mrs. Frederick B. Adams, Sr., Mrs. Robert Charles, Mr. Laurens M. Hamilton, The Heineman Foundation, Mrs. Donald F. Hyde, Mrs. Jacob M. Kaplan, Mrs. John Kean, Mr. Paul Mellon, Mr. and Mrs. Charles F. Morgan, Mr. Lessing J. Rosenwald, Mr. and Mrs. August H. Schilling, Mrs. Herbert N. Straus, Mrs. Landon K. Thorne, Mrs. Alan Valentine, Mr. and Mrs. Arnold Whitridge, and Miss Julia P. Wightman, 1970

MS M.917/945, ff. 106v–107r
Description: 

The Monday Hours of the Dead end on this happy note. Indeed, this miniature for the final Hour of Compline depicts the whole point of praying the Hours of the Dead: shortening the time spent by one's friends and relatives in the fires of purgatory. An angel leads an overjoyed group of naked souls from their fiery torment. In the bottom border, the vignette of a man caging birds is a secular counterpoint to the miniature's religious theme.

Hours and Masses for the Seven Days of the Week

The most unusual texts in Catherine's manuscript are the series of Hours and Masses for every day of the week. Medieval Christian tradition associated certain figures or themes with different days. Thus Sunday, the day of the Resurrection, was the Lord's Day; Thursday was connected with the Eucharist since that sacrament was instituted on Holy Thursday; and Monday was the day of the dead, since their torments were suspended on Sunday but recommenced the following day. In Catherine's prayer book, the themes for the Hours and Masses of the seven days of the week are:

Sunday the Trinity
Monday the Dead
Tuesday the Holy Spirit
Wednesday All Saints
Thursday the Blessed Sacrament
Friday the Compassion of God
Saturday the Virgin.
Credits: 

Image courtesy of Faksimile Verlag Luzern