The Pickering Manuscript 3

William Blake
(1757–1827)

The Pickering Manuscript

[Autograph fair copy].

ca. 1807

Gift of Mrs. Landon K. Thorne, 1971

MA 2879
Item description: 

This volume of ten poems in Blake's hand is the unique source for seven of his poetic works, including "Auguries of Innocence."

A dog starved at his master's gate
Predicts the ruin of the state.

The manuscript is named for a previous owner, B. M. Pickering, who acquired it in 1866 and published it for the first time that year. The poems probably date from about 1801 to 1804. As a "fair copy," it shows that Blake had copied all of the poems into a neat form with few corrections. Based on its paper stock and internal references, the manuscript has been dated to about 1807.

About this exhibition: 

William Blake (1757–1827) occupies a unique place in the history of Western art. His creativity included both the visual and literary arts. In his lifetime he was best known as an engraver; now he is also recognized for his innovative poetry, printmaking, and painting. Blake's keen perception of the political and social climate found expression throughout his work. His strong sense of independence is evident in the complex mythology that he constructed in response to the age of revolution.

Blake was already recognized as an engraver at age twenty-five, when his first volume of poems appeared. At thirty-three, in The Marriage of Heaven and Hell, he audaciously claimed that his birth had marked the origin of a "new heaven" in which his own art would exemplify the creativity prefigured by Milton and Michelangelo. By that time, Blake, in one of his most productive periods, had already produced Songs of Innocence and was at work on a series of illuminated books. In 1818 he met John Linnell, a young painter and engraver, through whom a group of young artists became Blake's followers. Calling themselves the Ancients, they helped perpetuate Blake's influence for generations.

The Morgan's Blake collection—one of this country's most distinguished—began with purchases as early as 1899 by Pierpont Morgan. During the tenure of Charles Ryskamp, director from 1969 to 1986, major gifts almost doubled the size of its Blake holdings. In recent years Ryskamp's own gifts of engravings, letters, and related materials have significantly enriched its scholarly resources.

Transcription: 

Till he becomes a bleeding youth
And she becomes a Virgin bright
Then he rends up his Manacles
And binds her down for his delight

He plants himself in all her Nerves
Just as a Husbandman his mould
And She becomes his dwelling place
And Garden fruitful Seventy fold

An aged Shadow soon he fades
Wandring round an Earthly Cot
Full filled all with gems & gold
Which he by industry had got

And these are the gems of the Human Soul
The rubies & pearls of a lovesick eye
The countless gold of the akeing heart
The martyrs groan & the lovers sigh

They are his meat they are his drink
He feeds the Beggar & the Poor
And the way faring Traveller
For ever open is his door

His grief is their eternal joy
They make the roofs & walls to ring
Till from the fire on the hearth
A little Female Babe does spring

And she is all of solid fire
And gems & gold that none his hand

Dares stretch to touch her Baby form
Or wrap her in his swaddling-band

But She comes to the Man she loves
If young or old or rich or poor
They soon drive out the aged Host
A Begger at anothers door

He wanders weeping far away
Untill some other take him in
Oft blind & age-bent sore distrest
Untill he can a Maiden win

And to Allay his freezing Age
The Poor Man takes her in his arms
The Cottage fades before his Sight
The Garden & its lovely Charms

The Guests are scatterd thro' the land
For the Eye altering alters all
The Senses roll themselves in fear
And the flat Earth becomes a Ball

The Stars Sun Moon all shrink away
A desart vast without a bound
And nothing left to eat or drink
And a dark desart all around

Credits: 

This online exhibition is presented in conjunction with the exhibition William Blake's World: "A New Heaven Is Begun" on view September 11, 2009, through January 3, 2010.

This exhibition is made possible through the generosity of Fay and Geoffrey Elliott.