A Visit to the Gilded Age
McKim Building Restoration Updates
Follow Jennifer Tonkovich, Curator of Drawings and Prints, as she provides behind-the-scenes updates for the restoration of the Morgan's 1906 McKim building. Learn more about the history of the McKim, which houses Mr. Morgan's library and study, as well as details of the restoration. We will also post photos so that you can witness the transformation as it takes place.
Morgan director William M. Griswold guides a tour of the McKim Building. Play slide show
June 25, 2010
William M. Griswold, director of The Morgan Library & Museum, recently welcomed fellow directors of nationwide Gilded Age museums for a walk-through of the McKim building. He began his tour by saying, "the McKim building is the heart and soul of The Morgan Library & Museum. Not only does it embody the taste and vision of the museum's founder and patron, Pierpont Morgan, but over the years its beautiful rooms have become synonymous with all that makes the Morgan special. No visit is complete without a tour of the McKim building, and now, with this ambitious project and the installation of some of the Morgan's outstanding treasures, that experience will be greatly enhanced."
As one of the great buildings of the Gilded Age (the era of great economic and population growth in the US during the late-nineteenth century) in New York, the McKim building is of substantial interest to architectural historians and other museum professionals. Attendees of Mr. Griswold's tour included directors of the Flagler Museum (Palm Beach, Florida), the Newport Mansions (Newport, Rhode Island), the Vizcaya Museum (Miami, Florida), The Huntington Library (San Marino, California), The Frick Collection (New York, New York), the Taft Museum of Art (Cincinnati, Ohio), and The Walters Art Museum (Baltimore, Maryland). A discussion of the renovation addressed the importance of respecting the ethos of historical spaces, including the need to carry out necessary renovations without impacting the landmarked fabric of a building.
Pierpont Morgan's Vision for the McKim
"I want a gem," Morgan declared to Charles Follen McKim upon commissioning him in 1902 to build a library adjacent to his residence to store and exhibit the overflowing collection of treasures he had amassed. According to Morgan's biographer and son-in-law, Herbert Satterlee, the basement of the house at the corner of 36th Street and Madison Avenue "became so crowded that it was difficult to get into it and find anything; books, pictures, and manuscripts were piled on the floor, after every table and chair had been filled."
McKim was not the first architect that Morgan approached for the project. When Morgan was first contemplating building his library, he contacted Whitney Warren, designer of the New York Yacht Club, who produced an ornate, baroque design. Presumably dissatisfied with Warren's proposals, Morgan opted instead to commission Charles Follen McKim, whose firm, McKim, Mead and White, embodied the classical Beaux-Arts style. McKim's design for Morgan's library—the product of "months of study" according to correspondence—is a restrained exterior based on a combination of Italian Renaissance garden casinos and urban palazzi, with an exuberant interior. Constructed of fine, pinkish-white Tennessee marble, McKim's unparalleled library cost approximately $1.2 million at its completion in 1906. In Charles Herbert Reilly's words, "the work of McKim, Mead and White will be found, I think, to be one of the great determining forces in the history of the architecture of our time" (1924).
McKim on the Big Screen?
Curator William Voelkle recounts that the Morgan declined to allow the East Room (Mr. Morgan's Library) of the McKim to serve as the setting for a scene in the 1981 movie Ragtime, based on E. L. Doctorow's 1975 novel set in Gilded Age New York ca. 1906. Instead, a not-quite-exact replica of the room was made in England. In this replica, while the second level of the East Room walkway incorrectly runs in front of the tapestry, the movie set restored the appearance of the room's now-lost original carved wood doors.