Spoils of War; Saul Decapitated; Trophies; A Grisly Parade
Old Testament miniatures with Latin, Persian, and Judeo-Persian inscriptions
390 x 300 mm
Purchased by J. P. Morgan, Jr., 1916
MS M.638 (fol. 35r)
Scholars believe that the Picture Bible was commissioned by Louis IX of France, the Capetian monarch who built the Sainte-Chapelle in Paris to house the crown of thorns before leaving for the first of his two crusades in 1248. The Bible later passed to the cardinal of Cracow, who then offered it as a diplomatic gift to the great Persian Muslim shah 'Abbas in the early seventeenth century. The manuscript eventually fell into the hands of Jewish owners, probably during the eighteenth century. These various owners left Latin, Persian, and Judeo-Persian inscriptions around the images. With these inscriptions, the keepers of the manuscript used their languages to assert their ownership of the book, appropriating its narrative contents and assimilating it into their own cultures.
The Latin captions are the earliest. They can be labeled as "early fourteenth-century," and were possibly made by a scribe trained in Bologna. The Persian captions come next. They were added in 1608 or shortly after, when the manuscript was presented to Shah Abbas in Isfahan. The Judeo-Persians are last, and according to the translator, they were probably made in 1722 or shortly after, as that year Isfahan was sacked by the Afghans. She supposes that at that time the book was looted by an Afghan soldier and was possibly exchanged with an Iranian Jew.
The Picture Bible is illustrated with saturated colors and exquisite detail. In order to make its lessons relevant to readers, the creators of this Bible set Old Testament stories in contemporaneous environments. For example, depictions of architecture evoke the castles and houses of thirteenth-century French towns and battle scenes are illustrated with thirteenth-century armor, weapons, and battle insignia.
Spoils of War
Following the battle, the Philistines find Saul's body on Mount Gilboa and strip it of the armor. (1 Kings 31:8)
Having collected the king's armor, the Philistines decapitate his corpse. (1 Kings 31:9)
The Philistines place Saul's armor—including his shield, sword, and crowned helmet—on the altar of their god, Ashtoreth. (1 Kings 31:10)
A Grisly Parade
The king's head, shown crowned, is shamefully affixed to a pike and paraded throughout the Philistine lands. (1 Kings 31:9–10)
Folio 35r (Latin)
Upper left: How the victorious Philistines strip the bodies of Saul and his sons. (I Samuel 31: 8)
Upper right: How the Philistines cut off Saul’s head. (I Samuel 31: 9)
Lower left: How the Philistines put Saul’s arms in the temple of Ashtaroth, their god. (I Samuel 31: 10)
Lower right: How Saul’s head is sent into the land of the Philistines round about. (I Samuel 31:9)
Folio 35r (Persian)
Upper left margin: When King Saul was slain, they stripped him.
Upper right margin: And they cut off King Saul’s head.
Lower left margin: The idolaters brought King Saul’s garment to the temple of idols and laid it before the idol.
Lower right margin: The idolaters placed King Saul’s head atop a spear and paraded it all over the kingdom.
Content consultant: Richard Leson
Persian translated by Sussan Babaie
Judeo-Persian translated by Vera Basch Moreen
Latin translation by Eran Lupu
After the commentary volume accompanying the Fine Art Facsimile edition by Faksimile Verlag Luzern / www.faksimile.ch