Search collection catalog »
E-NEWS Facebook logo Twitter logo Google logo YouTube
TheMorgan
Current

Upcoming

Online

Past

Video
 

Exhibitions | Online | George Washington Life Mask

In 1785 the French sculptor Jean-Antoine Houdon visited George Washington (1732–1799) at his Mount Vernon residence. There he observed the general and made a plaster cast of his face—the Morgan's life mask. He then used the mask to complete the face on his clay bust of Washington, which he left at Mount Vernon (Fig. 1). Houdon returned with the life mask to Paris, where he sculpted the final marble life-size sculpture of Washington now in the Richmond Capitol (Fig. 2). The statue was commissioned by the Virginia legislature and was erected in 1796, the year Washington issued his farewell address following his second term as president. The Morgan's life mask of Washington is unique and represents the truest likeness of the country's first president. Pierpont Morgan likely acquired the mask in Rome from the son of the American sculptor William Wetmore Story.

In order to make a mold of Washington's face, Houdon had the general lie down. He prepared Washington's face with a protective layer of grease and covered his eyes before adding a coat of wet plaster, inserting straws in the general's nose so that he could breathe. Once the plaster hardened, Houdon removed the cast and poured plaster into the mold to make a positive model, destroying the mold in the process. It is this positive model that constitutes the Morgan's life mask. Because Washington's eyes were closed, in the final mask Houdon had to sculpt the open eyes based on caliper measurements, as well as retouch the nostrils, which were hampered by the breathing apparatus. The air bubbles in Washington's cheeks were produced as the plaster settled in the mold.

The life mask recently served as a starting point for a team of forensic anthropologists working at Mount Vernon to re-create effigies of the "real" George Washington at three different moments in his life. Using the Morgan's cast of the fifty-three-year-old Washington's face, scientists were able to project the changes in his bone structure and appearance from his youth through old age. With a face ultimately derived from the life mask and physical details based on surviving original material, Mount Vernon created three life like representations of Washington: as a nineteen-year-old surveyor in Virginia (Fig. 3), as a forty-five-year-old commander in chief of the Revolutionary army addressing his troops at Valley Forge (Fig. 4), and taking the oath of office in 1789 during his first presidential inauguration as a fifty-seven-year old (Fig. 5).

The quest for the "real" George Washington, organized by Mount Vernon, and a discussion of the integral role of the Morgan's life mask in the project, is featured in a recent documentary by The History Channel.


Top of page


© The Morgan Library & Museum, 225 Madison Avenue, New York, NY 10016, (212) 685-0008

Home Museum »
Visit the Museum
Exhibitions
Calendar
Public Programs
Education
Collection »
Collection highlights
Online Exhibitions
Music Manuscripts Online
Conservation
The Drawing Institute
Multimedia
CORSAIR Collection Catalog
Research »
CORSAIR Collection Catalog
Research Services
Reading Room
Research Guides
The Drawing Institute
Photography & Rights
About »
Press
History of the Morgan
The Morgan Campus
Employment
Internships
Volunteer
Support »
Membership
Make a Donation
Corporate Membership
Corporate Entertaining
Shop Contact

E-News | Site Index | Terms and Conditions


The programs of The Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Background images: Photography by Todd Eberle unless otherwise noted. © 2006 Todd Eberle.