Michel Rochetel

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Michel Rochetel
active 1540-1552
Ceres Searching for Proserpina
ca. 1551
Brush and dark blue opaque watercolor, in tones from dark to light, with white opaque watercolor, on a paper prepared with the same dark blue ground, arched at the top.
13 7/8 x 9 5/8 inches (350 x 245 mm)
Purchased by Pierpont Morgan (1837-1913) in 1909.
I, 50a
Notes: 

Watermark: laid down.
Formerly attributed to Parmigianino.
The attribution of this unusual sheet executed in shades of blue is based on its close similarity with another drawing devoted to the story of Ceres in the Kupferstichkabinett, Dresden, which is signed by the artist and dated 1551. The present drawing likely dates to the same period, when Rochetel was working at the royal court at Fontainebleau alongside Francesco Primaticcio. Like many of the drawings produced at Fontainebleau in the sixteenth century, this sheet was long considered to be by a follower of Parmigianino until Sylvie Beguin identified it as by Rochetel in 1981.

Inscription: 

Inscribed on verso in graphite, at upper center, "Parma/1510-1559-/? Scol (scuola) di Geronimo Mazzuoli"; in pen and brown ink, on lines of graphite, two stanzas, in Latin, from Book V of Ovid's "Metamorphoses" "Quai draper ferras..."

Provenance: 
Sir Joshua Reynolds (1723-1792; Lugt 2364), London; George Guy, 4th Earl of Warwick (1818-1893; Lugt 2600); Charles Fairfax Murray (1849-1919), London and Florence (as school of Parmigianino); from whom purchased through Galerie Alexandre Imbert, Rome, in 1909 by Pierpont Morgan (1837-1913), New York (no mark; see Lugt 1509); his son, J. P. Morgan, Jr. (1867-1943), New York.
Associated names: 

Parmigianino, 1503-1540, Formerly attributed to.
Reynolds, Joshua, Sir, 1723-1792, former owner.
Warwick, George Guy Greville, Earl of, 1818-1893, former owner.
Murray, Charles Fairfax, 1849-1919, former owner.
Morgan, J. Pierpont (John Pierpont), 1837-1913, former owner.

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