Videos

In this video, John Pace, President of Birdmaster, discusses their work in developing a pigeon abatement system for our building.

Sir David Cannadine, Dodge Professor of History at Princeton University, President of the British Academy, and Editor of the Oxford Dictionary of National Biography, explores the interconnected, transatlantic worlds of the traditional and titled British wealth elite and the new American multimillionaires—the former on the defensive, the latter on the rise—during the late nineteenth and early twentieth centuries. Held Wednesday, December 11, 2019.

The façade of our J. Pierpont Morgan Library building uses a complex ancient Greek building technique that enables the stone to have no visible mortar.

The restoration project of our McKim, Mead & White building is moving along with the guidance and careful eye of the architectural conservators from Integrated Conservation Resources, Inc. (ICR).

The first major exhibition to explore the artist’s expressive portraits in charcoal, John Singer Sargent: Portraits in Charcoal will recognize the sheer scale of Sargent’s achievement as a portrait draftsman. Important international loans, from both public and private collections, will showcase Sargent’s sitters, many of them famous for their roles in politics, society, and the arts.

Laurel Peterson, Moore Curatorial Fellow in the Department of Drawings and Prints, will offer new insights into Hogarth’s practice as a draftsman, shedding light on the evolution of his drawing style and the role played by drawings in the development of his most iconic satirical prints. Held Tuesday, June 18, 2019.

Renowned for his beloved and acclaimed children’s books, Maurice Sendak (1928–2012) was also an avid music and opera lover. In the late 1970s, he embarked on a successful second career as a designer of sets and costumes for the stage. Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet will be the first museum exhibition dedicated to this aspect of his career.

In this lecture, Rhoda Eitel-Porter, Editor of Print Quarterly and former Charles W. Engelhard Curator of Drawings at the Morgan, discusses Early Italian drawings at the Morgan. Held Friday, February 15, 2019.

Join Davide Gasparotto, Senior Curator of Paintings, J. Paul Getty Museum, for a discussion on works by Jacopo da Pontormo (1494–1557), executed between 1528 and 1530.

Commemorating the two hundredth anniversary of Frankenstein—a classic of world literature and a masterpiece of horror—a new exhibition at the Morgan shows how Mary Shelley created a monster.

Co-curators of the exhibition Medieval Monsters: Terrors, Aliens, Wonders, Sherry C.M. Lindquist, Associate Professor, Western Illinois University and Asa Simon Mittman, Professor, California State University, Chico, will discuss the ways that medieval artists and writers demonized cultural outsiders, transforming religious and racial others into monsters, framing poverty and impairment as sin, and characterizing women as inherently deviant and dangerous. Held Friday, June 8, 2018.

Martin Puchner, Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University (author of The Written World), leads us on a journey through time and around the globe to reveal the powerful role stories and literature have played in creating the world we have today. Held Tuesday, May 22, 2018.

In conjunction with the exhibition Wayne Thiebaud, Draftsman, the artist discusses the role of drawing in his practice, his beginnings as a cartoonist, his sketching habits, his love of the Old Masters, and his fondness for classic American food. Held Friday, May 18, 2018.

In this lecture, Marco Simone Bolzoni, Moore Curatorial Fellow and curator of the exhibition Thomas Gainsborough: Experiments in Drawing, will investigate the unorthodox means and materials used by the artist in his quest to capture the beauty of the English countryside.
Held on Wednesday, May 16, 2018.