Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.
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Drawings played a central role in the artistic practice of the three giants of the Flemish Baroque: Peter Paul Rubens (1577–1640), Anthony van Dyck (1599–1641), and Jacob Jordaens (1593–1678).
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Maurice Ravel’s Bolero started out as a ballet score commissioned by dancer Ida Rubenstein. Her troupe danced the composition's first performance at the Paris Opera in 1928. It was an instant hit.
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Erica Cialella, Belle da Costa Green Curatorial Fellow, and Philip Palmer, Robert H.
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The incredible life of Belle da Costa Greene has been told in several biographies and scholarly articles. But her captivating narrative has also inspired creative works of historical fiction, plays, and music.
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When Franz Kafka died of tuberculosis at the age of forty, in 1924, few could have predicted the influence his relatively small body of work would have on every realm of thought and creative endeavor over the course of the twentieth century and into the twenty-first.
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Lincoln Speaks, a 15-minute film, was originally produced to accompany the exhibition, Lincoln Speaks: Words That Transformed a Nation, and features contemporary writers and scholars discussing the power of Lincoln’s language and his end
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Who was Emily Dickinson? A new exhibition at the Morgan Library and Museum in New York takes a closer look at the iconic American cultural figure through her poems and the remnants of her life, and finds a less reclusive woman than we thought we knew.
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Isabelle Dervaux, curator of modern and contemporary drawings, discusses the exhibition Roy Lichtenstein: the Black and White Drawings, 1961–1968.
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In conjunction with the exhibition, Shahzia Sikander: Extraordinary Realities, join the MacArthur Fellow and artist Shahzia Sikander in a virtual conversation with Roya Hakakian, poet and author of A Beginners Guide to America: For the Immi
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Renoir’s paintings are icons of Impressionism, but his drawings, watercolors, and pastels are far less widely known. In fact, drawing remained central to his artistic practice over the course of a long and varied career. In this lecture, Dr. Colin B. Bailey, Katharine J.
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