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Imperial Splendor: The Art of the Book in the Holy Roman Empire, ca. 800–1500, offers a sweeping overview of manuscript production in the Holy Roman Empire, one of the most impressive chapters in the history of medieval art.

In Uncommon Denominator, Nina Katchadourian (American, born 1968) stages a conversation among works from throughout her career, artifacts of her family’s history, and objects drawn from every corner of the Morgan’s vaults.

At the first international symposium devoted to the artist, scholars explore Gillot’s work and career in the context of the Paris art world, uncovering his professional network and assessing his contribution to changing tastes and his impact on the next generation of art

Isabelle Dervaux discusses one of the most celebrated contemporary German artists, Georg Baselitz. He gained international recognition in the 1960s for revitalizing figurative painting.

The Morgan is home to one of the world’s largest and most important collections of drawings by Giambattista Tiepolo (1696–1770) and his eldest son Domenico (1727–1804), with more than 300 representative examples of their lively invention and masterful techniques.

Take a closer look at three “action portraits” from the Morgan’s 20th-century photography collection with Joel Smith, the Richard L. Menschel Curator of Photography. Listen as Joel shares his insights on these dynamic images!

Jesse R. Erickson, Astor Curator of Printed Books & Bindings, and John Bidwell, Curator Emeritus, discuss the Bible as a cornerstone of religion, art, and literature in the western world.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.

The Morgan Drawing Institute is pleased to present a symposium held in conjunction with Far and Away: Drawings from the Clement C. Moore Collection on view June 28 through September 22, 2024.