Joyce always carried note pads and stray bits of paper in his jacket. According to the painter Frank Budgen, a friend of Joyce’s, “alone or in conversation, seated or walking, one of these tablets was produced, and a word or two scribbled on it at lightning speed.” This aspect of Joyce’s composition process led Budgen and writer Valery Larbaud to compare Joyce to a Renaissance mosaic artist, patiently fabricating large figures of the saints out of tiny pieces of colored stones.