In light of the popular, beautiful paintings of Edgar Degas’s Impressionist phase, it is easy to lose sight of the complexity of his oeuvre. Throughout his life, the artist experimented with printing techniques and drawing, as well as photography and sculpture. This is the first publication to present a comprehensive view of the technical diversity and wide range of themes in Degas’s oeuvre, focusing on his late work, from 1890 to 1910/12.
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Hidden Likeness: Photographer Emmet Gowin at the Morgan