Jacques Callot

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Jacques Callot
1592-1635
Three Dancing Dwarfs. Verso: Eight dancing dwarfs
ca. 1616-1618
Red chalk; verso: Black chalk and red chalk (one figure traced in red chalk from recto).
7 11/16 x 9 13/16 inches (195 x 249 mm)
Thaw Collection.
1972.15

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Notes: 

Watermark: none.
This sheet and 1972.14 contain small scale sketches of rounded figures of small stature engaged in a range of activities. Here we find three clearly drawn figures, with the one at top striking a dramatic dance pose, below, a hunchbacked figure with hands on hips advancing his left foot, and a dancing figure with disks attached to his headcovering. On the verso, the same figure appears holding up a similar disk amidst sketches of dancing figures, including ones at upper right and lower left seen from behind. The focus of the sheet is capturing the overall shape and movement of these unusual bodies. The small, rounded figure typess are closer to those in Callot's series of Gobbi, or Hunchbacks (1616), although none is an exact match.
There are around twenty sheets that have been identified from a sketchbook Callot used in Florence circa 1616-17. Several of those in American collections emerged on the market in England in the 1940s and 1950s. Some of these, including the Morgan's two sheets, and sheets in the Yale University Art Gallery and the Art Institute of Chicago, bear a mark of three circles and a dot at the lower center of the page. The sheet in Chicago bears a similar inscription on verso. The Chicago and Yale sheets contain figures that are more jaunty and elongated, closer to those in the Balli di Sfessania series.
The cryptic mark of three circles has yet to be decisively connected to a collector, dealer, or patron. The mark occurs in this same form, three circles followed by a period, on sheets by Callot and Stefano della Bella. A similar mark has recently been associated with drawings belonging to the family of Cesare Dandini, who assembled 5000 drawings into 20 albums. Among these sheets were 200 by other artists. The mark connected with these sheets, however, typically consists of a larger number of circles without a terminal dot. It is believed that the code on the Callot drawings is likely the mark of a different dealer or collector. Rhea Blok has also noted a Florentine drawing that came up for sale in 1999 bearing a single circle and dash, which was considered a dealer's price code.

Inscription: 

Three small circles inscribed in a row in pen and brown ink at lower center; numbered in graphite at lower left, "114"; at right, "dpp / 600 fr" and "C"; on verso, "Jacques Callot (1592-1635)" and "20".

Provenance: 
Hans Maximilian Calmann (1899-1982), London, ca. 1958; Eugene V. and Clare E. Thaw, New York.
Associated names: 

Thaw, Eugene Victor, former owner.
Thaw, Clare, former owner.

Bibliography: 

Thaw Catalogue Raisonné, 2017, no. 31, repr.
Stampfle, Felice, and Cara D. Denison. Drawings from the Collection of Mr. and Mrs. Eugene V. Thaw. New York : Pierpont Morgan Library, 1975, no. 13, repr.
Ryskamp, Charles, ed. Seventeenth Report to the Fellows of the Pierpont Morgan Library, 1972-1974. New York : Pierpont Morgan Library, 1976, p. 155-156.

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