It was often remarked by those who knew him that Cézanne cared little for his watercolors. Yet he spent a good deal of time working in the medium, and at least 651 watercolors have survived. During his lifetime they were admired and collected by a significant minority, including such artists as Degas and Renoir. Here the artist began with a tentative sketch of his favorite landscape motif, Mont Sainte-Victoire, before turning the sheet over and starting Still-Life with Pears and Apples. This still-life is a perfect example of Cézanne's late watercolor manner, which John Rewald has characterized as "bold, superbly fluent, and self-assured." The subject matter as well as the close viewpoint, strong color values, and the handling of the brushwork suggested a date ca.1902-06 to John Rewald. Cézanne chose an unusual starting point for this work, beginning almost one-third of the way up the page. While a faint chalk sketch is visible, the artist has addressed the white paper directly with his brush, using patterns of bright color to mold forms that are almost abstract and retracing many of the contours with a broken blue brushline.