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Treasures of Islamic Manuscript Painting from the Morgan
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A Seated Dandy in a Fur-lined Coat
Leaf from the Read Persian Album. Probably Herat (Afghanistan),ca. 1600.
378 x 241 mm
Purchased by Pierpont Morgan, 1911.; MS M.386.13.

The youth pictured here sports an enormous plaid turban, worn over a mottled blue cap. The brown fur lining of his coat is convincingly represented, as are his handkerchief and sash. His right arm is supported with a square pillow decorated with geometric designs around a star and a gold bolster. Behind him is a large golden bottle with matching tray, both studded with precious stones. Although this painting recalls similar works by the contemporaneous Riżā ˓Abbāsī, it cannot be attributed to him.

The Read Persian Album
Pierpont Morgan's 1911 purchase of two albums (one Persian, one Mughal) from Sir Charles Hercules Read, Keeper of British and Medieval Antiquities at the British Museum, London, proved to be an important turning point in the history of the Morgan Islamic collection. Belle da Costa Greene, Morgan's librarian, accompanied by art historian and collector Bernard Berenson, first saw paintings from the albums at the great exhibition of Islamic art in Munich the previous year. She wrote to Read that they were among the finest works exhibited there and that this important school should be represented in Morgan's collection, asking him to give Morgan the right of first refusal. The Persian album was begun by Husain Khān Shāmlū, governor of Herat (r. 1598–1618), and possibly continued by his son and successor, Hasān Shāmlū (d. 1646). Fifteen of its twenty-seven sheets, once bound accordion style, are presented here. Many of the paintings were made in Herat itself.


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