upon the blankets."
"His blankets?" asked Joe.
"Whose else's do you think?" replied he woman. "He isn't likely to take cold without 'em, I dare say."
"I hope he didn't die of anything catching? Eh?" said old Joe, stopping in his work, and looking up.
"Don't you be afraid of that," returned the woman. "I an't so fond of his company, that I'd loiter about him for such things, if he did. Ah! You may look through that shirt 'till your eyes ache, but you won't find a hole in it, nor a threadbare place. It's the best he had, and a fine one too. They'd have wasted it, if it hadn't been for me."
"What do you call wasting of it?" asked old Joe.
"Putting it on him to be buried in, to be sure," replied the woman with a laugh. "Somebody was fool enough to do it, but I took it off again. If calico an't good enough for such a purpose, it isn't good enough for anything. It's quite as becoming to the body. He can't look uglier than he did in that one."
Scrooge listened to this dialogue in horror. As they sat grouped about their spoil in the scanty light afforded by the old man's lamp, he viewed them with a detestation and disgust which could hardly have been greater, though they had been obscene demons, marketing the corpse itself.
"Ha ha!" laughed the same woman, when old Joe, producing a flannel bag with money in it, told out their several gains upon the ground. "This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead! Ha ha ha!"
"Spirit!" said Scrooge, shuddering from head to foot. "I see, I see. The case of this unhappy man might be my own. My life tends that way, now. Merciful Heaven, what is this!"
He recoiled in terror, for the scene had changed, and now he almost touched a bed—a bare uncurtained bed—on which—beneath a ragged sheet, there lay a something covered up, which, though it was Dumb, announced itself in awful language.
The room was very dark, too dark to be observed with any accuracy, though Scrooge glanced round it in obedience to a secret impulse, anxious to know what kind of room it was. A pale light, rising in the outer air, fell straight upon the bed; and on it, plundered and bereft, unwatched, unwept, uncared for, was the body of this man.
Scrooge glanced towards the Phantom. Its steady hand was pointed to the head. The cover was so carelessly adjusted that the slightest raising of it: the motion of a finger upon Scrooge's part; would have revealed the face. He thought of it, felt how easy it would be to do, and longed to do it; but had no more power to withdraw the veil than to dismiss the Spectre at his side.
Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Purchased by Pierpont Morgan before 1900; MA 97
Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.