reeked with crime, with filth, and misery.
Far in this den of infamous resort, there was a low-browed, beetling shop, below a penthouse roof, where iron, old rags, bottles, bones, and greasy offal, were bought. Upon the floor within, were piled up heaps of rusty keys and nails, chains, hinges, files, scales, weights, and refuse iron of all kinds. Secrets that few would like to scrutinize were bred and hidden in mountains of unseemly rags, masses of corrupted fat, and sepulchres of bones. Sitting in among these wares he dealt in, by a charcoal stove, made of old bricks, was a grey-haired rascal, nearly seventy years of age, who had screened himself from the cold air without, by a frousy curtaining of miscellaneous tatters, hung upon a line; and smoked his pipe in all the luxury of calm retirement.
Scrooge and the Phantom came into the presence of this man, just as a woman with a heavy bundle slunk into the shop. But she had scarcely entered, when another woman, similarly laden, came in too; and she was closely followed by a man in faded black, who was no less startled by the sight of them, than they had been upon the recognition of each other. After a short period of blank astonishment, in which the old man with the pipe had joined them they all three burst into a laugh.
"Let the char-woman alone to be the first!" cried she who had entered first. "Let the laundress alone to be the second; and let the undertaker's man alone to be the third. Look here, old Joe, here's a chance. If we haven't all three met here without meaning it!"
"You couldn't have met in a better place," said old Joe, removing his pipe from his mouth. "Come into the parlor. You were made free of it long ago, you know; and the other two an't strangers. Stop 'till I shut the door of the shop. Ah! How it skreeks! There an't such a rusty bit of metal in the place as its own hinges, I believe; and I'm sure theres no such old bones here, as mine. Ha ha! We're all suitable to our calling; we're well matched. Come into the parlor. Come into the parlor."
The parlor was the space behind the screen of rags. The old man raked the fire together with an old stair-rod and having trimmed his smoky lamp (for it was night) with the stem of his pipe, put it into his mouth again.
While he did this, the woman who had already spoken threw her bundle on the floor and sat down in a flaunting manner on a stool: crossing her elbows on her knees, and looking with a bold defiance at the other two.
"What odds then! What odds, Mrs. Dilber!" said the woman. "Every person has a right to take care of themselves. He always did!"
"That's true indeed!" said the laundress. "No man more so."
"Why, then don't stand staring as if you was afraid woman; who's the wiser. We're not going to pick holes in each other's coats, I suppose!"
"No, indeed!" said Mrs. Dilber and the man together. "We should hope not."
Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Purchased by Pierpont Morgan before 1900; MA 97
Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.