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Charles Dickens's Christmas Carol | Page 51 (54 of 70)
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51

of business; very wealthy, and of great importance. He had made a point, always of standing well in their esteem—in a business point of view that is; strictly in a business point of view.

"How are you," said one.

"How are you," returned the other.

"Well!" said the first. "Old Scratch has got his own, at last, hey?"

"So I am told," returned the second. "Cold. Isn't it?"

"Seasonable for Christmas time. You're not a skaiter, I suppose?"

"No. No. Something else to think of it. Good morning!"

Not another word. That was their meeting, their conversation, and their parting.

Scrooge was at first inclined to be surprised that the Spirit should attach importance to conversations apparently so trivial; but feeling assured that they must have some hidden purpose he set himself to consider what it was likely to be. They could scarcely be supposed to have any bearing on the death of Jacob, his old partner, for that was Past, and this Ghost's province was the Future. Nor could he think of any one immediately connected with himself, to whom he could apply them. But nothing doubting that to whomsoever they applied, they had some latent moral for his own improvement, he resolved to treasure up every word he heard, and everything he saw: and especially to observe the shadow of himself when it appeared. For he had an expectation that the conduct of his future self would give him the clue he missed and would render the solution of these riddles, easy.

He looked about in that very place for his own image. But another man stood in his accustomed corner, and though the clock pointed to his usual time of day for being there, he saw no likeness of himself among the multitudes that poured in through the Porch. It gave him little surprise, however; for he had been revolving in his mind a change of life, and thought and hoped he saw his new-born resolutions carried out in this.

Quiet and dark beside him, stood the Phantom with its outstretched hand. When he roused himself from his thoughtful quest, he fancied from the turn of the hand, and its situation in reference to himself, that the Unseen Eyes were looking at him keenly. It made him shudder, and feel very cold.

They left the busy scene, and went into an obscure part of the town, where Scrooge had never penetrated before, although he recognized its situation and its bad repute. The ways were foul and narrow; the shops and houses wretched; the people half-naked; drunken, slipshod, ugly. Alleys and archways, like so many cesspools, disgorged their offences of smell, and dirt, and life, upon the straggling streets; and the whole quarter

Charles Dickens (1812–1870)
Autograph manuscript signed, December 1843
Page 51
Purchased by Pierpont Morgan before 1900; MA 97

Compelled by personal financial difficulties, Dickens wrote A Christmas Carol in only six weeks, during a period of intense creativity in fall 1843. The original manuscript of A Christmas Carol reveals Dickens's method of composition, allowing us to see the author at work. The pace of writing and revision, apparently contiguous, is urgent, rapid, and boldly confident. Deleted text is struck out with a cursive and continuous looping movement of the pen and replaced with more active verbs—to achieve greater vividness or immediacy of effect— and fewer words for concision. This heavily revised sixty-six-page draft—the only manuscript of the story—was sent to the printer in order for the book to be published on 19 December, just in time for the Christmas market.


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