Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands
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The Well-Dressed Trainer of Huntsmen
ca. 1406
Huntsmen, as young pages, were expected to
know their hounds by name, appearance, and
color. They are instructed in this miniature by an
extremely fashionably dressed trainer. He wears
a blue fur-lined, midcalf houpeland with gold
embroidery and dagged bombard sleeves. Pink
accents his collar and epaulettes as well as his
matching chaussembles and the dagged sleeves of
his pourpoint. His tall black bonnet is dramatically
lined in red.
Gaston III Phoebus, Livre de la chasse,
in French and Latin
France, Paris, ca. 1406
Illuminated possibly by the Josephus Master
and the Bedford Master
385 x 287 mm
Bequest of Clara S. Peck, 1983; MS M.1044, fol. 42v
In 1392 King Charles VI suffered the first of forty-four bouts of madness that would cripple his reign. During a lull in the Hundred Years' War, strife between France and Burgundy erupted into civil war. This domestic crisis was sparked by the 1407 assassination of Charles's brother by Duke John of Burgundy. In 1419 the duke, in turn, was murdered by supporters of the crown. During these tumultuous times, fashion reached unbelievable heights of luxury.
Men's and women's fashions were dominated by a new garment, the houpeland. Men's houpelands featured enormous sleeves and a skirt ranging from full length to crotch level. The pourpoint remained popular, albeit often finely embroidered and equipped with large sleeves. Accessories included fancy baldricks (sashes) and belts—both sometimes hung with bells. Tall bonnets or chaperons, often tied into imaginative shapes, completed the look.
Women's houpelands were always full length, with bombard or straight sleeves. The simpler cote hardy, with its voluminous skirt and tight upper body, continued to be worn. Women began to wear their hair in temples, a double-horned coif surmounted by veils or a tubular burlet.