Purchase cataloguePainted with Words is a compelling look at Vincent van Gogh's correspondence to his young colleague Émile Bernard between 1887 and 1889. Van Gogh's words and sketches reveal his thoughts about art and life and communicate his groundbreaking work in Arles to his fellow painter.
Van Gogh's letters to Bernard reveal the tenor of their relationship. Van Gogh assumed the role of an older, wiser brother, offering praise or criticism of Bernard's paintings, drawings, and poems. At the same time the letters chronicle van Gogh's own struggles, as he reached his artistic maturity in isolation in Arles and St. Rémy. Throughout the letters are no less than twelve sketches by van Gogh meant to provide Bernard with an idea of his work in progress, including studies related to the paintings The Langlois Bridge, Houses at Saintes-Maries-de-la-Mer, Boats on the beach at Saintes-Maries, The Sower, and View of Arles at Sunset.
The translations used in this presentation are from the catalogue for the exhibition: Vincent van Gogh
Painted with Words, The Letters to Émile Bernard and are reproduced by kind permission of the Van Gogh Museum, Amsterdam.
Major support for Painted with Words: Vincent van Gogh's Letters to Émile Bernard and its accompanying catalogue was provided by the International Music and Art Foundation. Generous support was also provided by the Robert Lehman Foundation and the National Endowment for the Arts.
Vincent van Gogh, letter to Paul Gauguin, Arles, 17 October 1888, page 2
Ah, well, it amused me enormously doing this bare interior.
With a simplicity à la Seurat. In flat tints, but coarsely brushed in full impasto, the
walls pale lilac, the floor in a broken and faded red, the chairs and the bed chrome yellow, the pillows
and the sheet very pale lemon green, the bedspread blood red, the dressing table orange, the
washbasin blue, the window green. I had wished to express utter repose with all these very different
tones, you see, among which the only white is the little note given by the mirror with a black frame
(to cram in the fourth pair of complementaries as well).
Anyway, you'll see it with the others, and we'll talk about it. Because I often don't know