The Apocalypse, or Book of Revelation, is not only the last Book of the New Testament, but its most difficult, puzzling, and terrifying. It provided challenges to medieval illustrators and was the source for a number of popular images, such as Christ in Majesty, the Adoration of the Lamb, and the Madonna of the Apocalypse and contributed to the widespread use of the Evangelists' symbols.
Selected images from Apocalypse Then: Medieval Illuminations from the Morgan, an exhibition held at the Morgan are presented here. The exhibition celebrates the completion of a facsimile of the Morgan's Las Huelgas Apocalypse—the latest dated (1220) and largest surviving manuscript of a Spanish tradition of illuminated commentaries on the Apocalypse by the monk Beatus of Liébana. The series of manuscripts constitutes Spain's most important contribution to medieval manuscript illumination.
The Las Huelgas Apocalypse contains three sections: the prefatory cycle, the Apocalypse, and the Book of Daniel.
In addition to forty-nine images from the Las Huelgas Apocalypse, six images from other manuscripts in the Morgan's collections, including the earliest Beatus painted by Maius and one by the Master of the Berry Apocalypse, are in this presentation.
Whore Of Babylon And The Kings
And one of the seven angels who held the seven bowls approached and spoke with me, saying: "Come, I will show you the condemnation of the great harlot, who sits upon many waters. With her, the kings of the earth have fornicated. And those who inhabit the earth have been inebriated by the wine of her prostitution."(Rev. 17:1–2)
Babylon is a metaphor for the sin city of its day, which has made the kings fall into vice. The whore's cup contains the abominations and impurities of her fornication; she hands the cup to a king who fingers the cord of his garment with the gesture of a courtesan.