Illuminated around 1500 by the artist
Jean Poyer, The Hours of Henry VIII
receives its name from the possible but
unproven eighteenth-century tradition
that holds King Henry of England once
owned this splendid manuscript. By
following the simple instructions, you
can explore every painting of this
Renaissance masterpiece and learn
how Books of Hours helped their readers
to pray.
Books of Hours contain more or less
standard texts—Calendar, Gospel
Lessons, Hours of the Virgin, Hours
of the Cross, Hours of the Holy Spirit,
Penitential Psalms with Litany, Office
of the Dead, and Suffrages—as well as
a number of common accessory
prayers. Based on the frequency and
variety of added devotions, it appears
that scribes included these for owners
who wished to personalize their prayer
books.
David and Uriah (fol. 108v)
In the miniature, Bathsheba's husband,
one knee deferentially bent, has already
received the sealed order from
David, while his white horse stands
ready in the background. A shadowy
figure stands by the canopied bed to
the left, where the sin was consummated.
To solve the problem of
Bathsheba's pregnancy, the
king sent a letter to Joab
ordering him to place Uriah in
the front of the battle, where he
would surely be killed (2 Samuel
11:14–15).
Although King David in Penance
is the usual and obvious subject
selected to mark the Penitential
Psalms, his adultery with Bathsheba is also popular at this
time. Somewhat rarer is the
episode selected here, which
occurred after his adultery,
when he summoned Uriah, her
husband, to Jerusalem. He had
conveniently been away, serving
in the army under Joab.
Penitential Psalms and Litany (fols. 107v–127)
According to medieval tradition, the
Seven Penitential Psalms were written
by King David as penance for his grievous
sins. In any case, the seven Psalms (6,
31, 37, 50, 101, 129, and 142) were long
associated with atonement and had
already formed part of Jewish liturgy;
they were certainly known by Christians
in the West by the sixth century, when
Cassiodorus, a Roman historian,
statesman, and monk, regarded them
as a sevenfold means of obtaining
forgiveness.
Theme of Miniature
This theme was probably selected to introduce the first Penitential Psalm because David's order for Uriah's death was considered a sin of "anger." The Psalm is the only one to include the name of a specific Deadly Sin, ira, the Latin word for anger. In addition, the Penitential Psalms in some early-sixteenth-century printed Parisian Horae are illustrated by the same subject, along with a rubric stating that the first Psalm should be invoked against that sin.