Old Testament Miniatures with Latin, Persian, and Judeo-Persian inscriptions
France, Paris, 1240s
Scholars believe that the Picture Bible was commissioned by Louis IX of France, the Capetian monarch who built the Sainte-Chapelle in Paris to house the crown of thorns before leaving for the first of his two crusades in 1248. The Bible later passed to the cardinal of Cracow, who then offered it as a diplomatic gift to the great Persian Muslim shah 'Abbas in the early seventeenth century. The manuscript eventually fell into the hands of Jewish owners, probably during the eighteenth century. These various owners left Latin, Persian, and Judeo-Persian inscriptions around the images. With these inscriptions, the keepers of the manuscript used their languages to assert their ownership of the book, appropriating its narrative contents and assimilating it into their own cultures.
The Latin captions are the earliest. They can be labeled as "early fourteenth-century," and were possibly made by a scribe trained in Bologna.
The Persian captions come next. They were added in 1608 or shortly after, when the manuscript was presented to Shah Abbas in Isfahan.
The Judeo-Persians are last, and according to the translator, they were probably made in 1722 or shortly after, as that year Isfahan was sacked by the Afghans. She supposes that at that time the book was looted by an Afghan soldier and was possibly exchanged with an Iranian Jew.
The Picture Bible is illustrated with saturated colors and exquisite detail. In order to make its lessons relevant to readers, the creators of this Bible set Old Testament stories in contemporaneous environments. For example, depictions of architecture evoke the castles and houses of thirteenth-century French towns and battle scenes are illustrated with thirteenth-century armor, weapons, and battle insignia.
MS M.638 (fol. 3v)
Abraham has gained word of Lot's capture and arrives on horseback to free his nephew. His foot soldiers attack the enemy pavilion, chopping down the support poles and spearing an enemy soldier. The remaining foes hurry to arm themselves but it is too late; the horsemen pursue them into the pavilion and strike them down. (Genesis 14:14–15)
Having rescued Lot and his family, Abraham receives the blessing of Melchizedek, king of Salem and high priest. As Abraham kneels, Melchizedek, vested as a bishop, holds aloft bread and wine. The Christian illuminator understood these offerings as prefiguring the Eucharist. (Genesis 14:18–20)
The Corruption of the Sodomites
In Sodom, Lot offers hospitality to two angels of the Lord. Later, an angry mob confronts Lot at the door of his home, demanding the surrender of the guests. Rather than dishonor the Lord's ambassadors, Lot offers his daughters. Still indoors, the angels prepare to strike Lot's attackers with blindness. (Genesis 19:3–8)
Image courtesy of Faksimile Verlag Luzern, www.faksimile.ch.
Content consultant: Richard Leson
Upper half: How Abraham, upon discovering the matter, having pursued the victors who were going away with few men, defeated and scattered them and snatched away his nephew with all the spoils. (Genesis 14: 14–16)
Lower left: How Melchizedek, a priest and king of Jerusalem, met with Abraham as he was returning from the foretold victory, offering him bread and wine which were the prefiguration of the body and blood of Christ. (Genesis 14: 18–20)
Lower right: How when, due to the foul sins of the Sodomites, God had sent two angels to destroy the city and Lot had received them in hospitality, all the host of the men of the city surrounded Lot’s house, demanding the guests to basely abuse them. However, Lot was beseeching them to accept his two virgin daughters and avoid injuring the guests. (Genesis 19: 1–11)
Translation by Eran Lupu
After the commentary volume accompanying the Fine Art Facsimile edition
by Faksimile Verlag Luzern / www.faksimile.ch