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Francisco Goya (1746–1828)
Muy accordes (They’re very much in harmony)
Brush and india ink, with scraping; inscribed by the artist in black crayon
Inscribed by the artist at lower center in pencil, "Muy acordes". Numbered by the artist at upper center in pen and brown ink, 50; numbered by Javier Goya at upper right, 63
10 7/16 x 7 1/4 inches (265 x 185 mm)
Thaw Collection, The Pierpont Morgan Library, Gift in honor of Mr. János Scholz on the occasion of his eightieth birthday; 1984.1

Francisco Goya (1746–1828)
Feria en Bordeaux
Black chalk on light green paper
Inscribed and numbered by the artist at upper center, in black crayon, feria en – / Bordeaux, at upper right, 39
7 9/16 x 5 15/16 inches (192 x 150 mm)
Gift of Gertrude Weyhe Dennis in honor of Felice Stampfle on the occasion of the 75th anniversary of the Morgan Library and the 50th anniversary of the Association of Fellows; 1999.20

Francisco Goya (1746–1828)
Dejalo todo a la probidencia (Leave It All to Providence)
Brush and black wash
Inscribed by the artist at lower center, in pencil, Dejalo todo a la probidencia; numbered at upper center in pen and brown ink, 40
10 1/2 x 7 1/4 inches (267 x 184 mm)
Thaw Collection; 1999.22

Francisco Goya (1746–1828)
Confianza. Recto: Solo Porque le pregunta, si esta buena su madre se pone como un Tigre.
Point of brush on gray wash; traces of a pink paper mount, on paper
Inscribed by the artist along lower edge, in brush and gray wash, Confianza numbered by Javier Goya at upper left, 70
9 1/4 x 5 3/4 inches (235 x 147 mm)
Thaw Collection, The Pierpont Morgan Library; EVT 84v

Jean-Baptiste Greuze (1725–1805)
Anacreon in His Old Age Crowned by Love, before 1762
Pen and black ink, touches of brown ink, black wash, heightened with white tempera, over graphite, on brown paper
Signed at lower left in brown ink, Greuze; inscribed by the artist on the mount, Anacreon couronné par l'amour dans la viellesse Greuze.
12 3/8 x 16 1/8 inches (314 x 407 mm)
Bequest of Therese Kuhn Straus in memory of her husband, Herbert N. Straus; 1977.57

Jean-Baptiste Greuze (1725–1805)
Portrait of Denis Diderot (1713–1784), 1766
Black chalk, stumped, and white chalk, worked wet, with touches of gray chalk, on brown paper
Signed at upper right in graphite, J. B. Greuze
14 1/4 x 11 1/16 inches (361 x 283 mm)
Purchased as the gift of John M. Crawford, Jr.; 1958.3

Red Grooms (b. 1937)
Rudy Burckhardt at Machu Picchu, 1974
Pencil and colored ink on paper.
Signed at bottom left, PaulGrooms and dated 1974
60 3/4 x 38 inches (1543 x 965 mm)
Gift of Lysiane Luong Grooms and Red Grooms; 2008.3
© 2013 Red Grooms / Artists Rights Society (ARS), New York

Francesco Guardi (1712–1793)
The Bucintoro on the Way to the Lido on Ascension Day
Pen and brown ink, with brown wash, over black chalk, on paper
Inscribed at lower left, in pen and brown ink, S. Nicolo de Lido Dà.j, S. Servolo Dà. 3, malamoco Dà.5 / S. Lasero Dà. 2, Chiosa Dà. 4 e, a key serving to identify sites numbered from 1 to 5 on the drawing.
16 3/4 x 27 5/8 inches (426 x 702 mm)
Purchased from the Estate of Therese Kuhn Straus; 1978.15

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The programs of The Morgan Library & Museum are made possible with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Background images: Photography by Todd Eberle unless otherwise noted. © 2006 Todd Eberle.